Triads And Chords


Updated

The note-job of a bass line is to outline the chord sound one note at a time, which makes an understanding of triads and chords essential. Not only where the notes are on the neck, but what they are, why they are, and — crucially — what they sound like. Listen, listen, and listen again.

Originally published June 3, 2013, lightly edited for clarity.

When we look at the “note” job of a bass line as outlining the chord sound one note at a time, it becomes obvious that an understanding of triads and chords is very important. Not only do we need to know what they are, where they are, and why they are, we also need to know their sound. In our journey of learning where the notes of the triad and chord are on the bass fingerboard and the many hours of practice we put into mastering our choices geographically, it is essential that we put in the time needed to know what these things sound like. Remember to listen, listen, and listen again. The following video offers some ways to look at chords and triads. Harmony is one of the fundamentals I teach. For personalized guidance on triads and chord tones, online bass lessons via Zoom are available.

  1. Triads And Bass Lines

    Theory & Harmony Intermediate 1 min read

    I used to think scales were the most important music vocabulary to work on, but the more I played the more I realized triads and arpeggios matter more. As I've said before, triads are the harmonic material of every bass line you have played or will ever play — so build your lines outward from the triad's harmonic and rhythmic core.