A New Way To Look At Scales


Updated

Running scales endlessly on bass only gets you so far if the way you practice them doesn't connect to the music you actually play. I spent years struggling with that disconnect. This post shares a practical way to look at and practice scales that finally bridged the gap from drills to real-world playing.

Originally published June 9, 2013, lightly edited for clarity.

Most bass players spend years running scales without ever connecting that work to the music they actually play on stage. I was one of them for a long time. I remember the seemingly endless hours of running scales on my bass and thinking to myself “Why am I doing this?” “I never hear anybody do this on stage!!” I did know that it was beneficial for getting my hands in shape for playing on the fingerboard, but I could never make the connection with the way I was practicing scales to the way I would actually use them when I played music. I finally figured it out — the following video walks through a practical way to look at and practice scales that really works. Scale practice is one of the fundamentals I teach. For hands-on help applying scales in your own playing, online bass lessons via Zoom are available.

  1. Triads And Bass Lines

    Theory & Harmony Intermediate 1 min read

    I used to think scales were the most important music vocabulary to work on, but the more I played the more I realized triads and arpeggios matter more. As I've said before, triads are the harmonic material of every bass line you have played or will ever play — so build your lines outward from the triad's harmonic and rhythmic core.