The Anatomy Of A Bass Line


Updated

When creating a bass line, break it down to its simplest component — what I call the groove denominator: the smallest rhythmic and harmonic skeleton the music needs to survive. Building the line outward from there keeps it serving the song first, before any fills or embellishments ever get added.

Originally published June 6, 2013, lightly edited for clarity.

When creating a bass line it’s always important to break it down to simplest component, what I like to call the groove denominator. I define this to be the simplest thing you can do in a bass line, both rhythmically and harmonically for the music to survive. Developing your bass line from this place always insures that your line will do and feel the best for the song. The following video touches on this point and other things to listen for when creating a bass line. Bass-line construction is one of the fundamentals I teach. For one-on-one help building bass lines, online bass lessons via Zoom are available.

  1. Bebop Arpeggios

    Repertoire & Reading Advanced 2 min read

    Bebop arpeggios are the chord-tone vocabulary of bebop-era jazz soloing, worked through every chord change so strong beats land on chord tones. Even if you never plan to play jazz, spending time in this style sharpens your rhythmic control over which note goes where — a skill that carries straight into bass lines in any style.